31 Days of Horror: Titane (2021)

I was a big fan of Julia Ducournau’s Raw when it came out in 2016 and have been waiting a long time for a follow-up from her. This year her Palme d’Or-winning feature Titane is available to stream on Hulu, and so that’s how we spent our Tuesday night. www.youtube.com/watch?v=rzq-_f1fW_s

The body horror that’s part of Ducournau’s style emerges within the first twenty minutes of the film, as well as some of her commentary on the hell of being a woman. And she goes harsh. There were several scenes where I had to put my hands up in front of my face. (Always peeking through my fingers, but the hands are up just in case.)

I saw a lot of similarities between Raw and Titane right away. The protagonist of the film is named Alexia (Agatha Rousselle), just like the sister of Justine, the main character of 2016’s Raw. And Garance Marillier who played Justine in Raw appears as a Justine in Titane as well, though for a shorter period of time. It makes me wonder what the significance of these names are for Ducournau and if this will be an emerging theme in later works.

Alexia is involved in a terrible car accident when she’s younger caused by her father trying to discipline her while driving. She suffers a traumatic brain injury and has a steel plate put in her head that appears to alter her personality. When Alexia is finally discharged from the hospital, the first thing she does is hug and kiss the car involved in her accident. She has more affection for it than she does for her own parents.

Several years later, Alexia has grown up into a tattooed young woman who works as a model at car shows. Rather than just posing with the automobiles, Alexia writhes and moans Tawny Kitaen-style on her car, putting together an erotic dance that outshines all the other car models. She’s obviously the star in this niche world. Alexia’s fan base is rabid as she signs autographs, and she’s even chased by one of her overeager worshippers and lets him catch her. This is how the audience learns that she’s a serial killer. Sexual urges seem to lead Alexia into murdering her victims; she starts to engage aggressively with different partners, but then it’s almost as if something shuts off and she gets bored, leading to murder.

News programs appear in the background of early scenes detailing missing children and the recent victims of a possible serial killer, which makes me wonder if Alexia has been killing for a very long time. Alexia still lives with her parents, but after she discovers she’s pregnant with very odd symptoms, she locks them in their room and takes off. In a train station, Alexia discovers that there’s a police sketch of her likeness in connection to the recent murders, but near those are also a photo of a boy who went missing years earlier. With a horrific bathroom makeover, Alexia is able to masquerade as a skinny boy and is reunited with her “father” Vincent (Vincent Lindon), the hyper-masculine captain of a fire brigade.

The pregnancy and Alexia finding acceptance for who she is through Vincent happens in the fraternity-like atmosphere of the firehouse. When the firemen are not battling disaster simulations and situations, they hold rave parties near the firetrucks, and Alexia treats them to one of her special car dances. Some are disgusted while others love it.

I’m with the latter half. Titane was gross, fun, and I completely loved it.

Sister Love Grows Rancid in Raw

I blundered into Raw not even knowing it was a horror film, which was the most delicious surprise. Buried under deadlines early in the week, I depended on my friends to pick the movie and didn’t check reviews, summaries, or anything. We went to see the eight o’clock showing of Raw at the Angelika on Houston Street, and luckily, I didn’t get anything at the snack bar. This is not the type of movie where you want to have nibbles by your side.

In the French horror film Raw, studious, square Justine (played by Garance Marillier) is taken to veterinary school by her parents, and early on, it’s established that they are strict vegetarians. She’s dropped off in the parking lot of what looks like a sad, gray industrial complex, where her older sister is supposed to meet her. Justine’s parents aren’t surprised when the older sister’s a no-show, and Justine trudges off alone, dragging her red suitcase, to find her dorm—quite different, I think, from how American parents would be portrayed, dropping off their progeny at college.

 

Justine finds out that she’s rooming with a male instead of a female, but he tells her he’s gay so the school counts him as a woman. Not sure what to do with herself, Justine goes to bed, only to be woken in the darkest hours of the night by a team of screaming people dressed in graffiti-covered lab coats with masks covering their faces. They toss all the rookies’ beds, clothes, and other belongings out the windows, trashing their rooms, and Justine and fellow first years are made to crawl through some underground complex until they arrive at a raging party, where Justine is finally reunited with her much cooler older sister Alexia (played by Swiss actress Ella Rumpf). This is just the first part of a hazing ritual that all the rookies have to go through.

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Similar events happen after that, including one where Justine has to eat a rabbit kidney. She balks at this after being a vegetarian for so long, but her older sister bullies her into doing it. The kidney makes her ill, giving her the dry heaves, but that’s nothing compared to the bloody rash she wakes up with. Watching Justine’s itching reminded me of what happens when I go camping and forget the super-DEET bug spray. Just the sound of her fingernails on skin made me cringe. I get baseball-sized welts after mosquitos bite me, and sometimes the itching is so bad that I’ll go after the bites with a hairbrush, resulting in hamburger skin. But that just happens in an isolated patch. Poor Justine has hamburger skin all over her body once she’s done itching.

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Shortly after that, she starts having cravings for meat. They start out mild, with her stealing a hamburger patty from the lunch line and then wolfing down shawarmas with her roommate. But they soon progress to cannibalism, where she experiments with human flesh after an unfortunate waxing incident. It was gag-inducing to watch Justine snacking on a dismembered digit like a chicken wing and hard to look at the screen. I panned across the audience and saw people rolling in their seats, covering their eyes or hiding their faces against their partners. After a few seconds of the eating, though, you do get desensitized. I kept telling myself, it’s just a hot dog, it’s just a hot dog, and it turns out the actress playing Justine had to do something similar to psych herself up for the scene. Marillier told W Magazine, “You know, it was sugar. I was eating candy. If there was any difficulty, it was finding the reality in the scene so I wasn’t thinking, I’m just eating sugar.

 

For showings in Los Angeles, staff handed out barf bags to the audience after fainting was reported from Canadian moviegoers. I’m not sure how the two correlate or if that was a marketing scheme, but the gore isn’t gratuitous. Some of the body horror is uncomfortable, but I think that’s because it’s woven in with some gruesome rituals that females engage in for the sake of beauty.

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My favorite part of Raw is the intense sister relationship between Justine and Alex. It’s well portrayed with moments of extreme tenderness and thuggish brutality. At one moment, Justine and Alex are getting drunk together and laughing, and in the next, they’re trading bite for bite in a parking lot fight, with one bite in particular reminding me of a hellish scene in Cape Fear. There’s jealousy and competition—the essence of a sister relationship. I wish Raw was around years ago when I compiled “Top Five Sister Horror Movies” because it’s definitely a contender. I might have to revise my list.